Question 61· Dramatic techniques· JAMB
All subjects
JAMB and WAEC Literature in English questions
447 questions with answers and explanations. Tap an option to check yourself.
All topicsDrama: types and elements · 38Dramatic techniques · 44Figures of speech · 44General literary terms · 40Literary appreciation: unseen poetry · 29Literary appreciation: unseen prose · 29Poetry: imagery, sound and structure · 34Poetry: types and forms · 30Point of view and narrative techniques · 27Prose: plot, setting and characterisation · 29Prose: types of fiction · 26Set poems: African poetry · 10Set poems: Non-African poetry · 17Set text: A Man for All Seasons (Robert Bolt) · 9Set text: An Inspector Calls (J. B. Priestley) · 10Set text: Antony and Cleopatra (Shakespeare) · 13Set text: The Marriage of Anansewa (Efua Sutherland) · 4Set text: To Kill a Mockingbird (Harper Lee) · 14
- Explanation and discussion
Question 62· Dramatic techniques· JAMB
A brief remark a character makes to the audience, supposedly unheard by others on stage, is an
Explanation and discussionQuestion 63· Dramatic techniques· JAMB
Read the extract and answer the question. [A village square at dusk. BABA ALAO sits on a stool. KEMI enters with a bucket.] BABA ALAO: You walk as if the ground owes you money. KEMI: (setting the bucket down) The ground owes nobody, Baba. It is the borehole that owes us water. BABA ALAO: In my day we drank from the stream and thanked the gods. KEMI: In your day the stream did not carry the factory's colours. BABA ALAO: (aside) The child speaks like her mother, sharp as a new cutlass. KEMI: Tomorrow the women will march to the council. Will you come? BABA ALAO: (rising slowly) An old tortoise does not race. But it arrives. (An original extract written for AdmitMe practice.)
Baba Alao's last line suggests that he will
Explanation and discussionQuestion 64· Dramatic techniques· JAMB
Read the extract below and answer the question. (An AdmitMe scene. The palace courtyard. CHIEF OKORO sits among his ELDERS.) CHIEF OKORO: (rising) Who dares to speak of tax in my palace? ADA: (stepping forward) I dare, Chief. The market women have paid three times this year, and still the road to the market is a river of mud. CHIEF OKORO: (laughing, to the elders) Listen to her! A woman who sells pepper now teaches the elders how to rule. ELDER IKE: (aside) The pepper seller's words are hotter than her goods. ADA: Laugh, Chief. But when the rains come and your car sinks on that road, you will remember who told you.
Chief Okoro's attitude to Ada in the extract is
Explanation and discussionQuestion 65· Dramatic techniques· JAMB
Read the extract and answer the question. [A village square at dusk. BABA ALAO sits on a stool. KEMI enters with a bucket.] BABA ALAO: You walk as if the ground owes you money. KEMI: (setting the bucket down) The ground owes nobody, Baba. It is the borehole that owes us water. BABA ALAO: In my day we drank from the stream and thanked the gods. KEMI: In your day the stream did not carry the factory's colours. BABA ALAO: (aside) The child speaks like her mother, sharp as a new cutlass. KEMI: Tomorrow the women will march to the council. Will you come? BABA ALAO: (rising slowly) An old tortoise does not race. But it arrives. (An original extract written for AdmitMe practice.)
The main problem raised in the extract is
Explanation and discussionQuestion 66· Dramatic techniques· JAMB
Read the extract below and answer the question. (An AdmitMe scene. The palace courtyard. CHIEF OKORO sits among his ELDERS.) CHIEF OKORO: (rising) Who dares to speak of tax in my palace? ADA: (stepping forward) I dare, Chief. The market women have paid three times this year, and still the road to the market is a river of mud. CHIEF OKORO: (laughing, to the elders) Listen to her! A woman who sells pepper now teaches the elders how to rule. ELDER IKE: (aside) The pepper seller's words are hotter than her goods. ADA: Laugh, Chief. But when the rains come and your car sinks on that road, you will remember who told you.
Elder Ike's remark contains a pun on the word
Explanation and discussionQuestion 67· Dramatic techniques· JAMB
Deus ex machina refers to
Explanation and discussionQuestion 68· Dramatic techniques· WAEC
The point at which the conflict in a plot reaches its highest tension is the
Explanation and discussionQuestion 69· Dramatic techniques· JAMB
A speech in which a character alone on stage speaks his thoughts aloud is a
Explanation and discussionQuestion 70· Dramatic techniques· JAMB
Read the extract and answer the question. [A village square at dusk. BABA ALAO sits on a stool. KEMI enters with a bucket.] BABA ALAO: You walk as if the ground owes you money. KEMI: (setting the bucket down) The ground owes nobody, Baba. It is the borehole that owes us water. BABA ALAO: In my day we drank from the stream and thanked the gods. KEMI: In your day the stream did not carry the factory's colours. BABA ALAO: (aside) The child speaks like her mother, sharp as a new cutlass. KEMI: Tomorrow the women will march to the council. Will you come? BABA ALAO: (rising slowly) An old tortoise does not race. But it arrives. (An original extract written for AdmitMe practice.)
'sharp as a new cutlass' is an example of
Explanation and discussionQuestion 71· Dramatic techniques· JAMB
Read the extract and answer the question. [A small tailoring shop. Sewing machines hum. MAMA NGOZI pins a gown on a dummy. CHIDI, her apprentice, rushes in, out of breath.] CHIDI: Madam, the chairman's wife is coming herself! MAMA NGOZI: (without looking up) Then let her come on her feet like everybody else. CHIDI: But the gown is not ready. She will shout the roof down. MAMA NGOZI: A roof that falls from shouting was never a roof. Bring me the blue thread. CHIDI: (searching frantically) There is no blue thread, Madam. Only green. MAMA NGOZI: (finally turning) Then today, my son, the sky will be green. [Enter MRS OKAFOR, fanning herself with a large hat.] MRS OKAFOR: Ngozi! Is my gown ready, or must I attend the launching in my night dress? MAMA NGOZI: (smiling sweetly) Madam, a beautiful woman makes any cloth look like a gown. (An original extract written for AdmitMe practice.)
Mama Ngozi's reply 'Then let her come on her feet like everybody else' shows that she is
Explanation and discussionQuestion 72· Dramatic techniques· JAMB
Read the extract and answer the question. [A village square at dusk. BABA ALAO sits on a stool. KEMI enters with a bucket.] BABA ALAO: You walk as if the ground owes you money. KEMI: (setting the bucket down) The ground owes nobody, Baba. It is the borehole that owes us water. BABA ALAO: In my day we drank from the stream and thanked the gods. KEMI: In your day the stream did not carry the factory's colours. BABA ALAO: (aside) The child speaks like her mother, sharp as a new cutlass. KEMI: Tomorrow the women will march to the council. Will you come? BABA ALAO: (rising slowly) An old tortoise does not race. But it arrives. (An original extract written for AdmitMe practice.)
Baba Alao's remark 'You walk as if the ground owes you money' suggests that Kemi is walking
Explanation and discussionQuestion 73· Dramatic techniques· JAMB
Read the extract below and answer the question. (An AdmitMe scene. The palace courtyard. CHIEF OKORO sits among his ELDERS.) CHIEF OKORO: (rising) Who dares to speak of tax in my palace? ADA: (stepping forward) I dare, Chief. The market women have paid three times this year, and still the road to the market is a river of mud. CHIEF OKORO: (laughing, to the elders) Listen to her! A woman who sells pepper now teaches the elders how to rule. ELDER IKE: (aside) The pepper seller's words are hotter than her goods. ADA: Laugh, Chief. But when the rains come and your car sinks on that road, you will remember who told you.
The main conflict in the extract is between
Explanation and discussionQuestion 74· Dramatic techniques· WAEC
In which of these plays is a play within a play used to test a guilty king?
Explanation and discussionQuestion 75· Dramatic techniques· JAMB
Comic relief in a tragedy is
Explanation and discussionQuestion 76· Dramatic techniques· JAMB
When the audience knows something that a character on stage does not know, the playwright is using
Explanation and discussionQuestion 77· Dramatic techniques· JAMB
Read the extract and answer the question. [A small tailoring shop. Sewing machines hum. MAMA NGOZI pins a gown on a dummy. CHIDI, her apprentice, rushes in, out of breath.] CHIDI: Madam, the chairman's wife is coming herself! MAMA NGOZI: (without looking up) Then let her come on her feet like everybody else. CHIDI: But the gown is not ready. She will shout the roof down. MAMA NGOZI: A roof that falls from shouting was never a roof. Bring me the blue thread. CHIDI: (searching frantically) There is no blue thread, Madam. Only green. MAMA NGOZI: (finally turning) Then today, my son, the sky will be green. [Enter MRS OKAFOR, fanning herself with a large hat.] MRS OKAFOR: Ngozi! Is my gown ready, or must I attend the launching in my night dress? MAMA NGOZI: (smiling sweetly) Madam, a beautiful woman makes any cloth look like a gown. (An original extract written for AdmitMe practice.)
Chidi functions in the extract mainly as
Explanation and discussionQuestion 78· Dramatic techniques· JAMB
A chorus in traditional drama
Explanation and discussionQuestion 79· Dramatic techniques· JAMB
An epilogue is
Explanation and discussionQuestion 80· Dramatic techniques· JAMB
In drama, characters are revealed mainly through
Explanation and discussion
Practise Literature in English like the real exam. A timed CBT, your score, and the topics to fix.
Start a Literature in English test